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Art + Science Now : How scientific research and technological innovation are becoming key to 21st-century aesthetics
Art + Science Now is a groundbreaking overview of the art being made at the cutting edge of scientific research.The first illustrated book in its field, it shows how some of the world’s most dynamic art is being produced not in museums, galleries and studios but in the laboratory, where artists probe cultural, philosophical and social questions connected with scientific and technological advances.Featuring the work of around 250 artists from the UK, Germany, France, the Netherlands, the USA, Japan and elsewhere, it presents a broad range of projects, from body art to bioengineering of plants and insects, from music, dance and computer-controlled video performances to large-scale visual and sound installations.This comprehensive guide to contemporary art inspired or driven by scientific innovation points to intriguing new directions for the visual arts and traces a key strand in 21st-century aesthetics.
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The Interactive Documentary Form – Aesthetics, Practice, and Research
While the concept of the documentary film is well established, interactive documentary is a newly emerging form of nonlinear, nonfiction narrative that animates viewers to control their own path through a film.Stefano Odorico examines the aesthetic structures and dynamics of interactive documentary as a web-based film experience.His study considers theoretical issues such as critical complexity, reality effect, and polyphony, and assesses their respective media practices.Questions of distribution and preservation are addressed through the analysis of a number of film festivals, museums, and archives.Lastly, Odorico explores the potential of interactive documentary as a research method not only specifically for film and media studies but also for academia more generally.
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The Senses of Modernism : Technology, Perception, and Aesthetics
In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism.The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction.In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses.She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data.Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature.The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics.Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
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Aesthetics, Digital Studies and Bernard Stiegler
Aesthetics, Digital Studies and Bernard Stiegler frames the intertwined relationship between artistic endeavours and scientific fields and their sociopolitical implications.Each chapter is either an explication of, or a critique of, some aspect of Bernard Stiegler’s technological philosophy; as it is his technological-political-aesthetical-ethical theorisations which form the philosophical foundation of the volume. Emerging scholars bring critical new reflections to the subject area, while more established academics, researchers and practitioners outline the mutating nature of aesthetics within historical and theoretical frameworks.Not only is interdisciplinarity a prevailing topic at work within this collection, but so too is there a delineation of the mutating, hybrid role inhabited by the arts practitioner – at once engineer, scientist and artist – in the changing landscape of digital cultural production.
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What is aesthetics?
Aesthetics is a branch of philosophy that deals with the nature of beauty, art, and taste. It explores the concepts of perception, emotion, and judgment in relation to art and beauty. Aesthetics seeks to understand what makes something visually or audibly pleasing and how we interpret and appreciate different forms of art and design. It also examines the role of aesthetics in shaping our experiences and understanding of the world around us.
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What kind of aesthetics?
The term "aesthetics" refers to the principles and philosophy of beauty, art, and taste. It encompasses the study of sensory experiences, emotions, and perceptions related to art and design. Different cultures and individuals may have varying aesthetics preferences, ranging from minimalist and modern to ornate and traditional. Ultimately, aesthetics is subjective and can vary greatly depending on personal preferences and cultural influences.
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How does aesthetics develop?
Aesthetics develops through a combination of cultural, historical, and individual influences. It is shaped by the artistic and creative expressions of different societies and time periods, as well as by the personal experiences and perspectives of individuals. Aesthetics also evolves through the exploration and reinterpretation of existing artistic traditions, as well as through the introduction of new ideas and technologies. Overall, aesthetics is a dynamic and ongoing process that is continually shaped by the interactions between people, cultures, and artistic expressions.
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What is imitation aesthetics?
Imitation aesthetics refers to the artistic practice of replicating or mimicking the style, techniques, or themes of another artist or artistic movement. It involves creating works that closely resemble existing artworks or styles, often as a form of homage, parody, or commentary. Imitation aesthetics can be used to explore ideas of originality, authorship, and artistic influence, blurring the lines between copying and creativity. Artists may engage in imitation aesthetics to pay tribute to their predecessors, challenge traditional notions of artistic authenticity, or subvert established conventions in art.
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Aesthetics
This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958–9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory.
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Innovation Competency Model : Shaping Faculty Academic Innovation Development in China's Higher Education
Contributing to the discussion over China's higher education development, this book takes a theoretical approach to address the topic of university academics' innovation by introducing an academic innovation competency model, exploring the contexts, concepts and practices.The innovation competency model comprises three interdependent dimensions, including the academic internal drive vitality, the academic synthesizing refined ability and the academic suspected and introspective ability.By enriching the theory of professional development of university teachers, these three dimensions will help advance the reform of college personnel systems and ultimately improve the quality of China's higher education. The book will be valuable to researchers, students and stakeholders hoping to learn about education reform in China, or to those who study higher education management and comparative education.
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Speculative Aesthetics
An examination of the new technological mediations between the human sensorium and the planetary media network and of the aesthetic as an enabler of new modes of knowledge. This series of interventions on the ramifications of Speculative Realism for aesthetics ranges from contemporary art's relation to the aesthetic, to accelerationism and abstraction, logic and design. From varied perspectives of philosophy, art, and design, participants examine the new technological mediations between the human sensorium and the massive planetary media network within which it now exists and consider how the aesthetic enables new modes of knowledge by processing sensory data through symbolic formalisms and technological devices. Speculative Aesthetics anticipates the possibility of a theory and practice no longer invested in the otherworldly promise of the aesthetic, but acknowledging the real force and traction of images in the world today, experimentally employing techniques of modelling, formalisation, and presentation so as to simultaneously engineer new domains of experience and map them through a reconfigured aesthetics that is inseparable from its sociotechnical conditions.
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Aesthetics Imperfections
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What is room aesthetics?
Room aesthetics refer to the overall look and feel of a room, including its visual appeal, style, and atmosphere. This includes elements such as color scheme, furniture arrangement, lighting, and decor choices that work together to create a cohesive and pleasing environment. Room aesthetics play a crucial role in setting the mood and ambiance of a space, influencing how comfortable and inviting it feels to those who inhabit it. Ultimately, room aesthetics are about creating a space that reflects the personality and preferences of the occupants while also being functional and visually appealing.
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Which aesthetics is this?
The aesthetics described in the text is minimalism. This aesthetic focuses on simplicity, clean lines, and a sense of openness. It often involves using a limited color palette, uncluttered spaces, and a focus on functionality. Minimalism aims to create a sense of calm and tranquility through the use of minimal elements.
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What is Schiller's aesthetics?
Schiller's aesthetics, as outlined in his work "Letters on the Aesthetic Education of Man," emphasize the importance of beauty and art in human development. He believed that through the experience of beauty, individuals could achieve a harmonious balance between their rational and sensual natures. Schiller argued that art has the power to elevate the human spirit and promote freedom, allowing individuals to transcend their limitations and connect with a higher reality. Overall, Schiller's aesthetics focus on the transformative and liberating potential of art in shaping human consciousness and society.
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What are the different aesthetics?
There are many different aesthetics, each with its own unique characteristics and style. Some common aesthetics include minimalism, which focuses on simplicity and clean lines; vintage, which incorporates elements from past eras; bohemian, which embraces a free-spirited and eclectic look; and industrial, which features raw and unfinished materials. Other aesthetics include modern, traditional, rustic, and coastal, each with its own distinct design elements and influences. Overall, aesthetics play a significant role in shaping the visual appeal and atmosphere of a space.
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